you're right and i'm wrong oh babe i'm gonna miss you now that you're gone
  • fav character: [kills someone]
  • me: aw
toeachhisowncinema:

Romy Schneider by Werner Bokelberg 
blackhistoryalbum:

Vintage Style, London, 1970s
"I don’t understand why sex is more shocking than violence."
Lea Seydoux talking about American films (via aurorium)

(Source: tvshows-who-knows, via polanskies)

*unfollows everyone who reblogs jt because this is one place i don’t want to see him*

"I refuse to believe. I refuse to do anything but smoke and pretend to be Nico."
Lou Reed (via nicopaffgen)

(Source: thewriteronthestorm, via nicopaffgen)

notordinaryfashion:

Elie Saab Haute Couture Fall 2014-15

In Hollywood, more often than not, they’re making more kind of traditional films, stories that are understood by people. And the entire story is understood. And they become worried if even for one small moment something happens that is not understood by everyone. But what’s so fantastic is to get down into areas where things are abstract and where things are felt, or understood in an intuitive way that, you can’t, you know, put a microphone to somebody at the theatre and say ‘Did you understand that?’ but they come out with a strange, fantastic feeling and they can carry that, and it opens some little door or something that’s magical and that’s the power that film has. -David Lynch

 Jacques Demy, Jean-Luc Godard and Anna Karina on the set of Cleo from 5 to 7,1962 
thm.